The earrings are set in a frame of fine silver wire, with prongs soldered on. This is a modern design that's commonly found using old Roman coins. I used modern silver ear wires, but in hindsight, I wish I'd just made my own. If I'd had hard silver wire, I would have.
The pendant, on the other hand, is a medieval as they come. A very simple design, the bail is a piece of fine silver sheet that I cut and formed over, and then it was riveted to the coin. Examples of riveted coins are all over the Viking era, and they're easy to find. What I haven't researched enough is if they're regional to anywhere specific, or if it was a more generally diffused practice. There are definitely examples from Gotland. Again in hindsight, I wish I'd don't some stamping on the bail before forming it. That's not as common a practice based on examples, but I found at least one. If I get to do this again, I'll do that.
The little pin rivet was made from 18 gauge fine silver wire. I melted a little head on one end and peened the back side flat. The head flattened a little bit, but that's okay. It still stands up like a little button. This is truly so much fun to do! The biggest trick was getting the head melted on the wire. I started out holding it in pliers, which were too much of a heat sink. Next time I'll just wait until I've melted the head to cut it, so I can just hold it further down, in my hand. That's how I've done this before, for Tilda's pendant.
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